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a doll's house 

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A Doll’s House (1879), by Henrik Ibsen:

"Father of the modern drama", wrote several plays studying gender and dominance, the most famous and (arguably) important of which is A Doll’s House. A Doll’s House premiered On December 21st, 1879, in Copenhagen, and gained lots of buzz – the play made audiences face questions that didn’t have easy answers: What’s to become of Nora’s children? Was Torvald really as oblivious as Nora made him out to be? A Doll’s House rapidly became controversial, as audiences processed “the door slam heard ’round the world”.

 

Synopsis: Nora Helmer is a vibrant young housewife who nonetheless suffers from a crippling dependency on her husband of eight years. He, Torvald, has always done the thinking for the both of them. In order to save Torvald from a debt, and to spare his masculine pride, Nora arranges a loan without his knowledge, and does so by forging a signature. The inevitable revelation of the crime results in an unexpected reaction from Torvald: Rather than being grateful to Nora, he is incapable of accepting the pride and self-sufficiency she demonstrated in taking care of him, and he accuses her of damaging his good name. The illusions behind their marriage are exposed, and Nora wakes to feelings of self awareness for the first time in her life. Torvald is not the man she thought she knew. They are husband and wife, yes, but they are strangers as well. And in one of the most famous, and scandalous, climaxes in all of nineteenth-century drama, Nora leaves her husband and children, determined to forge a new identity from the one she has always known.

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